Aarakshan - Film Review

While some films like Prakash Jha and before Raajneeti, In fact, used this formula for some genuine dramatic performance, while others, like My Name Is Khan probably turned out to be much better product if they do not consider it necessary to force a "revolution." Everyone seems obsessed with the director making a film at least, that somehow a tribute Rang DeAnd as the film may have been, Bollywood filmmakers have the recipe wrong. It's almost as if, without the inclusion of a media circus, you can not push a social problem effectively at all.

And this is the first major problem in Jakarta Aarakshan, A mistake of the same name, long a film that is worthy of national debate, which seems to be that they created. Just because, except for a handful of collisions, which dry up during the first hour of the film itself, Aarakshan really has nothing new to say. It begins almost as if Jha has decided to make a copy of his previous film, but with an emphasis on the word Aarakshan at this time. And yet history has turned on before the first hour or so, as walking is very clear and there is no real participation of the dramatic confrontation, Saif Ali Khan completely nails.

Aarakshan! And the stunning Deepika Padukone already has to stop his attempts at serious roles, which require no action. It is not April 1st, dear. And we're not mistaken.

So my final word honest, fan-boy tips for writers of Bollywood, who are trying to force social meaning in the love story is this: Keep it simple, folks.More latest movie reviews.........